вольф н expressionism
Вольф Н. Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement’s approach flourished internationally and is today hailed as one of the most influential shifts in art history.With leading groups Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele,and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world”, to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures.Covering the group’s stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
2007 Руб.
Вольф Н. Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement’s approach flourished internationally and is today hailed as one of the most influential shifts in art history.With leading groups Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele,and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world”, to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures.Covering the group’s stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
2007 Руб.
Набор мормышек (вольфрам) упаковка 10 штук
В набор входят:Мормышка вольф "яман" Банан с ушк, р.1,50, вес 0,20, цв. медьМормышка вольф "яман" Шар граненый с отв, р.6, вес 1,90 цв. никельМормышка вольф "яман" Шар с отв, р.3,5 вес 0,40 цв. аргианаМормышка вольф "яман" Кобра с ушк, р.5, вес 1,25 цв. медьМормышка вольф "яман" Шар с отв, р.4,5 вес 0,85 цв. фосф.Мормышка вольф. безнасадочная "яман" Капелька №2, вес 0,50 гр, фц. красный шар, цв. латуньМормышка вольф "яман" Уралка с отв, р.3, вес 0,56 цв. красно-синийМормышка вольф "яман" Х р н *, d-4 мм, вес 0,6 гМормышка вольф "яман" Рисинка длинная с отв, р.4, вес 0,90 цв. медьМормышка вольф. Санхар №2
1300 Руб.
Набор мормышек (вольфрам) упаковка 10 штук
В набор входят:Мормышка вольф "яман" Банан с ушк, р.1,50, вес 0,20, цв. медьМормышка вольф "яман" Шар граненый с отв, р.6, вес 1,90 цв. никельМормышка вольф "яман" Шар с отв, р.3,5 вес 0,40 цв. аргианаМормышка вольф"яман"Супер банан с ушк, р.3, вес 0,90 цв. фосф.Мормышка вольф "яман" Шар с отв, р.4,5 вес 0,85 цв. фосф.Мормышка вольф. безнасадочная "яман" Капелька №2, вес 0,50 гр, фц. красный шар, цв. латуньМормышка вольф "яман" Уралка с отв, р.3, вес 0,56 цв. красно-синийМормышка вольф "яман" Х р н *, d-4 мм, вес 0,6 гМормышка вольф. точеная "яман" Дробь с ушк, р.5, вес 1,2, цв. красныйМормышка вольф. Санхар №2
1300 Руб.
Вольф Н. Durer
A polymath of the German Renaissance, Albrecht Durer (1471–1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form.Durer’s woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ’s Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Durer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state.Ever inquisitive, Durer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure’s complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.
2007 Руб.
Вольф Н. Velazquez
Court painter to King Philip IV of Spain, Diego Rodriguez de Silva y Velazquez (June 1599 – August 6, 1660) is not only a leading light of the Spanish Golden Age, but among the most celebrated masters in all Western art history. Monet and Renoir, Corot and Courbet, Degas and Dali all hailed his influence. Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it.Velazquez’s importance is found particularly in his naturalist approach, in contrast to the more ubiquitous idealized manner of his age. Early works included numerous “bodegones”, genre scenes of everyday life in early 17th century Spain, in which warm, rich tones and textures set off the most ordinary of subjects and humble of faces, such as Old Woman Frying Eggs.Later, his portraiture for the Royal Court brought the same naturalism to the highest echelons of society, marking a profound shift in the depiction of royalty with softer, more relaxed poses that offered his subjects a human warmth and character as much as a sense of grandeur. Velazquez’s most famous work, Las Meninas, was also painted in the royal court, but in its enigmatic composition raises many broader questions about reality and illusion and the relationship between the painter, painting, and viewer.This fresh TASCHEN Basic Art 2.0 edition introduces Velazquez through key works from throughout his career. From humble genre scenes to the royal portraits, the exquisite Rokeby Venus nude, and the ever-mysterious Las Meninas, we explore his exceptional attention to composition, masterful handling of tone, and his remarkable influence as, in Manet’s words, “the greatest painter of all.”
2007 Руб.
Вольф Н. Holbein
Religion, Renaissance, and Reformation?these three ideologies shaped the world of 16th-century portraitist Hans Holbein the Younger (1497/98–1543), a pivotal figure of the Northern Renaissance, whose skills took him to Switzerland, Belgium, Italy, and England, and garnered patrons and subjects as prestigious as Henry VIII, Thomas More, Anne of Cleves, and Reformation advocate Thomas Cromwell.This book brings together key Holbein paintings to explore his illustrious and international career as well as the courtly drama and radical religious change that informed his work. With rich illustration, we survey the masterful draftsmanship and almost supernatural ability to control details, from the textures of luxurious clothing to the ornament of a room, that secured Holbein’s place as one of the greatest portraitists in Western art history.His probing eye was matched with a draftsman. Along the way, we see how he combined meticulous mimesis with an inspired amalgam of regional painterly traits, from Flemish-style realism to late medieval German composition and Italian formal grandeur.During his time in England, Holbein became official court painter to Henry VIII, producing both reformist propaganda and royalist paintings to bolster Henry’s status as monarch and as the new Supreme Head of the Church following the English Reformation. His portrait of Henry from 1537 is regarded not only as a portraiture pinnacle but also as an iconic record of this transformative monarch and the Tudor dynasty. Through this turbulent period, Holbein also produced anticlerical woodcuts, and sketched and painted Lutheran merchants, visiting ambassadors, and Henry’s notorious succession of wives.
2007 Руб.
Вольф Н. Durer
A polymath of the German Renaissance, Albrecht Durer (1471–1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form.Durer’s woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ’s Passion, named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Durer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state.Ever inquisitive, Durer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure’s complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.
2007 Руб.
Вольф Н. Velazquez
Court painter to King Philip IV of Spain, Diego Rodriguez de Silva y Velazquez (June 1599 – August 6, 1660) is not only a leading light of the Spanish Golden Age, but among the most celebrated masters in all Western art history. Monet and Renoir, Corot and Courbet, Degas and Dali all hailed his influence. Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it.Velazquez’s importance is found particularly in his naturalist approach, in contrast to the more ubiquitous idealized manner of his age. Early works included numerous “bodegones”, genre scenes of everyday life in early 17th century Spain, in which warm, rich tones and textures set off the most ordinary of subjects and humble of faces, such as Old Woman Frying Eggs.Later, his portraiture for the Royal Court brought the same naturalism to the highest echelons of society, marking a profound shift in the depiction of royalty with softer, more relaxed poses that offered his subjects a human warmth and character as much as a sense of grandeur. Velazquez’s most famous work, Las Meninas, was also painted in the royal court, but in its enigmatic composition raises many broader questions about reality and illusion and the relationship between the painter, painting, and viewer.This fresh TASCHEN Basic Art 2.0 edition introduces Velazquez through key works from throughout his career. From humble genre scenes to the royal portraits, the exquisite Rokeby Venus nude, and the ever-mysterious Las Meninas, we explore his exceptional attention to composition, masterful handling of tone, and his remarkable influence as, in Manet’s words, “the greatest painter of all.”
2007 Руб.
Вольф Н. Holbein
Religion, Renaissance, and Reformation?these three ideologies shaped the world of 16th-century portraitist Hans Holbein the Younger (1497/98–1543), a pivotal figure of the Northern Renaissance, whose skills took him to Switzerland, Belgium, Italy, and England, and garnered patrons and subjects as prestigious as Henry VIII, Thomas More, Anne of Cleves, and Reformation advocate Thomas Cromwell.This book brings together key Holbein paintings to explore his illustrious and international career as well as the courtly drama and radical religious change that informed his work. With rich illustration, we survey the masterful draftsmanship and almost supernatural ability to control details, from the textures of luxurious clothing to the ornament of a room, that secured Holbein’s place as one of the greatest portraitists in Western art history.His probing eye was matched with a draftsman. Along the way, we see how he combined meticulous mimesis with an inspired amalgam of regional painterly traits, from Flemish-style realism to late medieval German composition and Italian formal grandeur.During his time in England, Holbein became official court painter to Henry VIII, producing both reformist propaganda and royalist paintings to bolster Henry’s status as monarch and as the new Supreme Head of the Church following the English Reformation. His portrait of Henry from 1537 is regarded not only as a portraiture pinnacle but also as an iconic record of this transformative monarch and the Tudor dynasty. Through this turbulent period, Holbein also produced anticlerical woodcuts, and sketched and painted Lutheran merchants, visiting ambassadors, and Henry’s notorious succession of wives.
2007 Руб.
Wolf Norbert Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement's approach flourished internationally and is today hailed as one of the most influential shifts in art history. With leading groups Die Brucke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele, and Emil Nolde, the Expressionists disowned Impressionism, which they regarded as "man lowered to the position of a gramophone record of the outer world", to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures. Covering the group's stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
1970 Руб.
Norbert Wolf. Expressionism
Sharp angles, strange forms, lurid colors, and distorted perspectives are classic hallmarks of Expressionism, the twentieth century movement that prioritized emotion over objective reality. Though particularly present in Germany and Austria, the movement's approach flourished internationally and is today hailed as one of the most influential shifts in art history.With leading groups Die Brücke (The Bridge) and Der Blaue Reiter (The Blue Rider), and key players such as Wassily Kandinsky, Egon Schiele, and Emil Nolde,the Expressionists disowned Impressionism, which they regarded as “man lowered to the position of a gramophone record of the outer world", to depict instead a raw and visceral experience of life as it was felt, rather than seen on the surface. Their paintings brim with emotive force, conveyed in particular through intense and non-naturalistic color palettes, loose brushwork, and thick textures.Covering the group's stylistic tendencies, influences, and most important protagonists, this introductory book explores the Expressionist panorama of moods, ideas, and emotions and their abiding quest for deep authenticity.
2450 Руб.
Набор мормышек (вольфрам) упаковка 10 штук
В набор входят:Мормышка вольф. точеная "яман" Дробь с ушк, р.5, вес 1,2, цв. красный Мормышка вольф. безнасадочная "яман" Гвоздик №2 вес 0,50 гр, фц. красный шар, цв. латунь Мормышка вольф "яман" Капля с отв, р.3, вес 0,30 цв. черн. никель Мормышка вольф "яман" Дробь с коронкой из никеля, d-5 мм, вес 1,2 г, бисер и кембрик, цв. флуор. красный Мормышка вольф. безнасадочная "яман" Гвоздик №2 вес 0,45 гр, кристалл хамелеон, цв. латунь Мормышка вольф. безнасадочная "яман" Жучок №3, вес 0,50 гр, кристалл хамелеон, цв. латунь Мормышка вольф "яман" Уралка с отв. с коронкой из никеля, d-4 мм, вес 0,9 г, бисер и кембрик, цв. флуор. желтый Мормышка вольф. дробинка d.4,5 черн. лак Мормышка вольф "яман" Уралка с отв, р.5, вес 1,53 цв. никель Мормышка вольф "яман" Капля с отв, р.3,5, вес 0,60 цв. медь
1290 Руб.
Barbara Hess. Abstract Expressionism
Hailed as the first American-born art movement to have a worldwide influence, Abstract Expressionism denotes the non-representational use of paint as a means of personal expression. It emerged in America in the 1940s, with lead protagonists including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning.Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and color field painting, made most famous by Rothko. Throughout, Abstract Expressionists strove to convey emotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes. The movement favored large-scale canvases, and embraced the role of accident or chance.With featured works from 20 key Abstract Expressionist artists, this book introduces the movement which shifted the center of art gravity from Paris to New York and remains for many the golden moment of American art.
2450 Руб.
Hess Barbara Abstract Expressionism
The painterly gestures of personal feelings Hailed as the first American-born art movement to have a worldwide influence, Abstract Expressionism denotes the non-representational use of paint as a means of personal expression. It emerged in America in the 1940s, with lead protagonists including Jackson Pollock, Philip Guston, Robert Motherwell, Mark Rothko, and Willem de Kooning. Abstract Expressionism spawned many different stylistic tendencies but two particularly prominent sub-categories: action painting, exemplified by de Kooning and Pollock, and color field painting, made most famous by Rothko. Throughout, Abstract Expressionists strove to convey emotions and ideas through the making of marks, through forms, textures, shades, and the particular quality of brushstrokes. The movement favored large-scale canvases, and embraced the role of accident or chance. With featured works from 20 key Abstract Expressionist artists, this book introduces the movement which shifted the center of art gravity from Paris to New York and remains for many the golden moment of American art.
1912 Руб.
Hess Barbara Abstract Expressionism
Abstract expressionism-the non-representational use of paint as a means of personal expression-emerged in America in the 1940s, inspired by the innovative work of Arshile Gorky. Considered the first art movement originating in the Americas to have a worldwide influence, abstract expressionism spawned two very different sub-categories: action painting (exemplified by Willem de Kooning and Jackson Pollock) and color field painting, made most famous by Mark Rothko. Abstract expressionists strove to express emotions and ideas directly on canvas via color, form and texture-the quality of brushstrokes and other marks, the dripping of paint, for example-while embracing accident and chance, and celebrating the very act of painting. Featured artists: William Baziotes, Helen Frankenthaler, Arshile Gorky, Adolph Gottlieb, Philip Guston, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, Joan Mitchell, Robert Motherwell, Barnett Newman, Jackson Pollock, Ad Reinhardt, Mark Rothko, David Smith, Theodoros Stamos, Clyfford Still, Mark Tobey, Bradley Walter Tomlin.
1012 Руб.